Lukid

Foma [Electronic / Dance]

RELEASE: 19.12.2008

LABEL: Werk Discs

VERTRIEB: Cargo Records GmbH

After completing a thoroughly uninspiring music technology course in Leeds, a despondent Luke Blair returned to North London with some big decisions to make. Instead, he avoided them and immersed himself in a world of daytime TV, late-night beat-making, and 24-hour existential dread. Inspired by obsessions with artists such as Can, Madlib, Theo Parrish and Autechre, thus Lukid was born, spending many a lonely night hunched over his midi keyboard, layering up wonky beats and squeezing out woozy chords. In 2007 Lukid released his astonishing debut album ‘Onandon’, made up of the kind of Rubik's Cube compositions that twist in a broad spectrum of elements to manipulate hip-hop founded electronics from dust-encrusted loops, lazer-tag beats and sea-sick rhythms, built with equal parts Cologne minimalist machine-click techno and the low swing of Detroit’s latter-day mix of cross-pollinated hip-hop, soul and house. Lukid’s mature, complex and intricately plotted instrumentals unfold with slow-burning textured detail, sometimes recalling the gravelly disposition of early DJ Shadow, yet it’s his grace, sample dexterity and excess of panache that pitch this artist oceans away from the weary blunted brigade. When a producer is able to deliver an epic widescreen vision while at the same time maintaining his “A” game, that should be cause for celebration, and Lukid has been rightly feted on boards and blogs ever since the release of ‘Onandon’. And now to ‘Foma’, a second story which introduces a darker insight into his crumbling environs, a haunting tale of deep south conversations with a Studio One foundation. In a world where artists’ influences can appear paradoxical or sometimes completely unrelated, Lukid hammers the sounds of his together into a single sheet of incredibly intriguing electronic music. You won’t already need to be in love with the languorous beat constructions of Madlib, Dabrye, Flying Lotus, Samiyam and their like to find yourself gently but emphatically knocked flat back by ‘Foma’, before being comprehensively stretched into a series of new sensual shapes.

(Quelle: Werk Discs, 2008)

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