| CD-DETAILS THE BIRD OF MUSIC [AU REVOIR SIMONE] | |||||||
|
Au Revoir SimoneThe Bird Of Music [Pop]RELEASE: 16.02.2007LABEL: Cooperative MusicVERTRIEB: Rough TradeWEBSITE: aurevoirsimone.com/
Die Geschichte von Au Revoir Simone beginnt 2003 in einem Zug nach New York City. Ihren auf den Keyboards, einer Drum Machine und Percussions basierenden Sound beschreiben sie selbst als 'warm and organic electronic music with forthright female vocalists'. BIO Au Revoir Simone started life in the Fall of 2003 when Erika (Forster, keyboards & vocals) and Annie (Hart, keyboards & vocals) first became acquainted on a long train ride home to NYC from a weekend getaway with friends. Along the way they exchanged stories and ambitions, and discovered that they shared a common desire to form an all-keyboard band. When they returned to NY, they started meeting regularly to play music. After a time their friend Heather (DâAngelo, drum machines, keyboard & vocals) started joining in at these informal bedroom band practices, which also included former member Sung Bin Park (keyboard & vocals). Before too long, they started playing shows around NYC and Brooklyn. In January of 2005, Sun Bin left the band and the girls started anew as a trio. Keyboards found their natural home in the hands of Au Revoir Simone (or perhaps it was the other way round). A romantic notion it may be, but fate you might say had had a hand in their meeting â born out of a common love of synths then, Au Revoir Simone came to be. The bandâs influences could be likened to a dutifully mined musical thrift store. Alongside the racks and railings of sometimes mismatched but wholly treasured records occupied by Modest Mouse, Stereolab, Mountain Goats, Louis Prima and Pavement, the likes of the Beach Boys, Bjork, Broadcast Belle & Sebastian, Bowie, the Beegees and Billie Holiday also take their place. Erika too harbours a love of German label Morr, specifically artists such as Guther, Lali Puna and Ms. John Soda. Made principally using keyboards, drum machines and hand percussion, Au Revoir Simoneâs sound is defined by their instrumentation. In their own words, and to put it simply, they make âwarm and organic electronic music with forthright female vocalistsâ. This, the bandâs debut, was named after a tiny book Annie received in the post one day at work entitled âVerses of Comfort, Assurance and Salvationâ. The title seemed to capture perfectly musicâs ability to make you feel, but more specifically how the bandâs music was making Annie and the rest of the girls feel â complete, inspired, and happy. Recorded in Brooklyn, in their friend/producer/manager Rodâs basement apartment (to be more precise in fact, recorded in a former shower stall rigged up with quilts and fancy microphones to resemble a vocal booth), âVersesâŠâ was a lot of fun to make⊠The result of endless hours spent in Rodâs flat-cum-studio âVerses of Comfort, Assurance and Salvationâ is a hypnotic journey. There is an utterly sincere, ethereal and at times lovelorn quality to the album. Very nearly yet not quite tangible to senses other than your ears, the tracks contained therein often feel as if theyâre bathed in moonlight and graced with seasonal/âturning of seasonsâ touches. Au Revoir Simoneâs music would be the perfect soundtrack to an Autumnal picnic in the parkâŠor Virgin Suicides if Air had not been so triumphant with the original score. Visual references aside, âVersesâŠâ opens with the dream-like-trance-inducing (heart)beats of Heatherâs drum machine on âThrough The Backyardâ. A song about the excitement of being young and in love for the first time (and sneaking out of the house to meet your best friend). With itâs whispering synths and delicate vocals, âBackyardsâ is steeped in a kind of nocturnal sweetness and youthful longing which forms a near-perfect introduction to the album and the life-affirming themes which run through it. The uptempo âHurricanesâ is a song about living in, and liberating yourself from a culture of fear, which builds to a shuffling and sonically celebratory, call-to-arms climax â âThis message is for all the people / The people who are always waitingâ is the echoing sentiment that remains. Next up is âDisco Songâ, a track inspired by the main character in a movie about roller skating. âWhere You Goâ is an ode to lost love and wishing you could reunite with someone you canât stop thinking about, or somehow canât let go of. A gateway into the albumâs relative Heart of Darkness (or at least itâs more melancholy moments), is âBack In Timeâ, a song about people who have let you down in the past, but want to come back into your life. Picking up the seasonal thread inherent to âTalesâŠâ once again is âThe Winter Songâ, a beautifully crafted, calming, soft-feeling instrumental, which spills into âAnd Sleep Al Marâ, a Godin/Dunckel-flecked track taking lingering sad memories as itâs inspiration. âStay Goldenâ is a softly tip-toeing and beautiful finale to the mini album â it scoops up the broken heart behind its creation and nurtures it back to health with uplifting murmurs and waves of synthesized flutes and enveloping, comforting vocals. Wise to the profound effect music can have on a person, in âVerses of Comfort, Assurance and Salvationâ Au Revoir Simone have crafted an intelligent, understated, and always heartfelt record. Their music is a harbinger of reassuring wisdom and overwhelming comfort. Go on, dive in⊠(Quelle: Cooperative Music) FORMAT: CD
| |||||||
| Diese CD weiterempfehlen |
